The auto-ducking is persistent across both Audition and Premiere Pro, allowing nondestructive workflow that incorporates both applications.Īdobe Audition Project Manager Durin Gleaves said the company has been working on keyboard-driven workflow, adding the ability to move clips without grabbing the mouse, using ALT-arrow key combinations instead. Also, the utility of Audition’s auto-ducking has been extended so that it now works with environmental, ambient and natural sounds. Again borrowing a well-loved and relied-upon paradigm from Photoshop, designers will also be able, for the first time, to create groups of layers in the Essential Graphics Panel.Īdobe Audition CC is getting a new punch-and-roll recording mode that allows voice performers to correct errors or simply re-record takes without losing the flow of their performance. “If you want to create simple lower-thirds, that’s a quick way to do it,” Crossman noted. Text layers can now be connected to background fill layers as appearance attributes, meaning you can easily create a background that changes size and shape to match the text. In the Essential Graphics Panel, artists can now add as many as 10 strokes to a single graphic, giving it a bulbous and chunky look that’s in vogue for Japanese commercial design. Guides can also be used to show a 4×3 center cut, or to guide composition of a square image for social media delivery. Customized guide set-ups can be saved for re-use, and AE artists can export guides for import into Premiere Pro, which means a set of guides can be shared across a collaborative team to dictate placement of bugs, logos, and lower thirds.
One top user request - the ability to use Photoshop-style rulers and guides in the program monitor - has finally been added, along with a complement of new buttons that can be used to show or hide them and turn snapping on and off.
Premiere Pro has gotten a lot of attention this time around as far as the little thing are concerned. “What is more simple, when you’re learning the craft of editing, than simply arranging images in a row?” (The familiar J-K-L key layout works too, of course.) The feature was suggested by pro Hollywood editors, Crossman noted, but said Adobe expects beginners to embrace it, as well. “The assembly can begin in the bin as clips are put in order,” Crossman said, showing off Premiere’s ability to set in and out points in clips while hover-scrubbing over them. Adobe Premiere Pro Product Manager Francis Crossman suggested that editors working in different roles might prefer different visual representations of their project, and Freeform View will allow, say, the assistant editor to have a different vantage on the bin than the lead editor. Aimed at visual thinkers, the new view allows everything in the media bin to be precisely organized on screen, sorted into a given order, arranged in groups, or stacked in piles. In Adobe Premiere Pro CC, editors now have a new way to look at their project panel - Freeform View.
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